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Andreea Vlăduț


Linz, AT

Catch the Time Catch the time is a durational performance in which time is not a fixed measurement, but a fluid presence, shaped by the performer’s intention and the evolving choreography. The act becomes a ritual: filling time without breaking it, until the alarm sounds.

The performance invites improvisation, chance, accidental moments, and poetic gestures - in the spirit of Fluxus.

Time leads to actions and play.

Catch the time.

Perform with time.

Perform Collectively.

One person begins.

After 10 seconds, the second person begins.

After 10 more seconds, the third person begins.

(and so on)

Pick up a clock. Set a time for the alarm.

Every performer decides on the time.

While the clock is ticking, perform an action or more:

create sound using your voice, body or objects around you as instruments.

When the alarm rings, take a breath/ sigh and leave the performance space.

The performance ends at the last alarm, with a last breath/ sigh.

Note:

Improvise with the objects as instruments while actively listening to each other.

All instruments must be selected from within the current space.

Performers

Hedieh Khajehzadeh, also known as I-ID, is a nonbinary interdisciplinary artist, DJ, and sound creator with a BFA in painting from Tehran, Iran. Their artistic practice moves through diverse forms of expression toward digital arts, experimenting with sound and its relationship to visual media. I-ID is currently studying at the University of Art and Design Linz and is a member of the Linz-based artist collective qujOchÖ

Sashe Urdovski ranges from creating traditional vocal-songwriting compositions to experimenting with sound, music and audio with a contemporary approach. His compositions have been featured in various short films, video installations, and solo projects, showcasing his ability to blend different artistic mediums.

Andreea Vlăduț is a Romanian multimedia artist based in Austria. She graduated from the Time-based Media department at Kunstuniversität Linz, specializing in electronic music, audio-video installations, and performance art. Currently, she explores the transformative potential of sound and ritualistic practices in altering perceptions and challenging dominant and normative narrative frameworks.

Camera

Onur Sekmen (he, them) is a Vienna-based media artist and filmmaker exploring themes of migration, liminality, gender and body politics through film and video. With a background in cinema and production design, their recent work blends filmic and experimental forms to investigate working class realities, displacement and shifting identities. Sekmen’s practice is rooted in a cinematic language that deconstructs spatial and social structures, often engaging with political and historical residues in contested landscapes.


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